This clip tracks the manuscript as the music progresses, a helpful format for linking sound and early notation. The “Kyrie” performed here includes interpolated “tropes,” a fascinating technique (and musical philosophy) that I will be writing about a lot more this week. Also note the florid melisma (extended, textless melodic passage) on the last syllable. Glorious indeed!
“Kyrie Rex Virginum”
Published by Zachary Wallmark
During the Challenge I was graduate student in musicology at UCLA (completed 2014). I am currently Assistant Professor of Music History at SMU in Dallas, TX, where I teach courses on cultural musicology, opera history, music perception and cognition, popular music, and research methods. My monograph project, "Nothing but Noise: Timbre and Musical Meaning at the Edge," is under contract with Oxford University Press. View all posts by Zachary Wallmark
The Taruskin Challenge 
Zach—These videos you are finding are great! The wonders of youtube.
Greetings. I suppose I am VERY late to the game, but I look forward very much to utilizing this resource as I traverse and travail through the OHWM! Thank you ever so much for this resource!
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