Over the next few weeks, you may notice that our posts are slightly out of sync with our posted weekly readings. Since Zach and I have not been able to post as much as we would like over the last weeks, we are going to go back and work through some of the fascinating content Taruskin covers: symphonies, concertos, “the anatomy of a joke,” and plenty more. We both felt it was more important to take our time and really dig into the content of these chapters than to rush past them simply for the sake of scheduling. So the reading schedule will trudge on as planned to the end of this volume, with our essays in slight tension with the page numbers posted. But don’t worry—now that we have reached our FOP, we can gradually work our way back into resolution with the reading by the time we reach Vol. III.
Dramatic Tension
Published by Mark Samples
During the challenge, I was a PhD student in musicology at the University of Oregon (completed 2011). Currently, I am an Assistant Professor of music at Central Washington University. I research music branding and arts entrepreneurship, and teach courses in music history, arts and entrepreneurship, and the history of jazz. Mark has a new blog here: http://www.mark-samples.com Mark's faculty page: http://www.cwu.edu/music/dr-mark-samples View all posts by Mark Samples
