orderliness: a precompositional blog post (à la Structures Ia)

Beauty finds find will control and in who anyone it orderliness here, in beauty it find will control orderliness finds who here and anyone (find will beauty finds who anyone it control and in here orderliness) it find in beauty finds who here will control orderliness anyone and—here it orderliness in beauty finds anyone find will and who control? Anyone here and orderliness in beauty who it find control finds will. Finds who will control and orderliness beauty anyone here find in it: orderliness in here it find will and beauty finds anyone control who [and orderliness anyone here it find control in beauty who will finds <will control finds who anyone here find and orderliness beauty it in] who anyone control and orderliness in finds here it will beauty find; control and who anyone here it will orderliness in finds find beauty>

6 Comments

  1. If he’s into intellectual exercises at all (!), I’m sure he had fun writing the music. That was one of the realizations I had while doing this little exercise. The process is where the biggest value lies. It’s like the satisfaction you get when completing a puzzle. This type of writing is all about the composer; to a limited extent it is also for a small group of insiders who have the experience/inclination to suss out the puzzle from the other end. What’s questionable is how beneficial/interesting it is for everyone else…

  2. One of the reasons I got out of composition major in college was because I felt that all the other people were writing stuff based on codes, processes, etc that they understood and nobody else did…and the professors loved it…but musically it was a bore…not to say that there aren’t process pieces that are beautiful…

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